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Do You Need to Know Oil Painting for Art School

With brilliant color, flossy blending, and versatile texture in that location is a lot to love almost oil paint. Students find it engaging and challenging, and it is easier to pull off than yous remember. Read on for everything y'all demand to know to set upwardly an oil paint experience your kids will love!

Gather Your Supplies

Oil painting, like most specific processes in art, requires a fair amount of supplies. However, this doesn't necessarily mean it has to interruption the depository financial institution. The post-obit materials are broken down into things you demand, things that are optional, and toll-saving alternatives.

Needs

Paint
Guild student-form oils in warm and cool primaries. Include a neutral brown, like burnt umber or burnt sienna, as well every bit black. White is the colour used the about, so always order actress. If your budget allows, yous can purchase secondary colors. But remember, mixing volition help your kids internalize color theory. You tin check out a list of brands with pros and cons on WonderStreet.com.

Brushes
Purchase brushes recommended for oils in a variety of shapes and sizes. Although it's fun to have many different kinds, a overnice ready of flats and rounds will do. If money is tight, look for brushes that work for both acrylic and oil for more flexibility. You tin download a handy castor chart here and dive even deeper into castor anatomy hither.

Palettes
Oil pigment tin stay fresh for days when stored on a covered palette, so brand certain to observe palettes with lids. You lot tin purchase large palettes for sharing or smaller sizes for individuals. Make sure to lay down palette paper, or one of the low-cost alternatives listed below, earlier mixing because oil is hard to remove.

Palette Knives
Having palette knives to mix paint volition prolong the life of your brushes. Plus, students tin use them for different painting techniques.

palette knives

Canvases
In that location are lots of options for painting surfaces including canvas boards, pre-stretched canvases, and the materials to assemble (or even build) and stretch your own canvases. Pick the one that all-time fits your budget.

Gesso
Gesso is a primer for raw canvas. Notwithstanding, it's also great to prime drawing newspaper for practice activities and skill-building exercises.

Solvent
Solvents are used to sparse paint and clean brushes. The strong odors and risk of respiratory issues from turpentine and mineral spirits make both of these familiar choices a no-become for most art classrooms. Some alternatives are odorless mineral spirits or odorless turpenoid. Linseed, fasten lavender, or rosemary oils are other more expensive options. Additionally, you will need a container with a chapeau for storing the solvent. Always check your school's chemical use policy and make sure to properly ventilate any area where solvents are existence used.

dirty brushes

Nice to Accept

Brush Cleaner
While not a truthful necessity, brush cleaner volition brand your brushes last quite a bit longer. Look for one that both cleans and conditions brushes. Many will besides help with removing hardened pigment. This brand is a favorite among artists and teachers alike.

Painting Mediums
Mediums are added to affect the drying fourth dimension, consistency, or sheen of the paint. One favorite is Liquin Original which speeds drying time and increases paint menstruation.

Easels
Easels are great because they permit artists to easily meet what they're working on. Table easels work well in classrooms and accept up much less infinite than traditional models. If it's not viable for your students to work with easels, insist they hang their work up vertically to analyze composition and proportion at least once per class menses.

Cost Saving Alternatives

If the cost of all of these materials has you wondering if y'all can actually pull off using oil pigment in the classroom, look beneath for some cost-saving substitutions! Swapping out even a few items can make a big difference. Plus, you may not fifty-fifty take to buy some of these things. Put an email out to your staff to ask for donations. Yous'll be surprised how rapidly you learn what you need!

  • Use waxed newspaper or magazine pages instead of palette newspaper.
  • Use Popsicle sticks instead of palette knives.
  • Used cardboard or paper primed with gesso instead of canvasses.
    (If using paper, be sure to tape it to the table!)
  • Use acrylic business firm paint instead of gesso.
  • Employ recycled glass jars for storing solvent.
  • Use infant oil instead of brush cleaner.
  • Enquire families to donate colors that get used upwards quickly, similar white.

Programme Your Procedures

Nailing downwardly procedures and expectations is key when it comes to educational activity students how to use new media. The specific way you want your students to admission materials, organize their work infinite, and clean up and store work will depend on your unique teaching state of affairs. Beneath are six questions to ask yourself equally yous develop procedures.

  1. Where will the paint be stored?
  2. How will pigment be distributed to students?
  3. How will students gear up their palettes?
  4. How will you lot support students to recollect expectations similar when to get more than palette paper, how much paint to take, or how to properly intendance for brushes?
  5. How volition solvent be stored, and who will exist responsible for pouring it?
  6. Where and how will work exist stored? (Recollect, work volition stay wet between classes!)

Teach Students Techniques

painting techniques

Once yous've caused all of your materials and established your expectations and procedures, information technology's time to get painting! The following assumes your students accept a working agreement of colour theory and prior experience with acrylic paint. If your kids could use a bit of colour theory review, have some time for a color mixing challenge or some other action and then students tin can brush up on their skills.

Subsequently y'all've shown students procedures, get out some gessoed paper and spend a form or 2 teaching techniques. It can be very helpful hither to connect new information about painting with oils to what your students already know about working with acrylics. Equally yous demonstrate each technique, reference how using oil is similar and different.

Take students department their gessoed paper into squares. And then, after yous prove students how to do each technique, take them practice in one of the squares on their own paper. Give them feedback as they work– now is the time to correct misconceptions. I peachy tip is to take students ready their palettes with warm colors on 1 side and cool colors on the other. Ask them to label which side is which – it's almost a guarantee they'll forget if they skip this step!

Oil Painting Techniques

Smooth Blending

smooth blending
Mastering blending is the key to oil painting! Mix three or more analogous colors and piece of work to create a polish, fifty-fifty gradient by applying pigment and working it with the brush to create seamless blending. Be enlightened that the consistency of the paint can easily bear on blending. If the paint is also thin it will appear streaky, if it'southward also thick information technology volition be challenging to work with.


Visible Brush Strokes

visible brush strokes
One of the most satisfying qualities of working with oil is the ability of the paint to hold texture. Apply thick paint to create visible strokes by loading a apartment brush with ane or more colors and dragging information technology over the work surface. Add more than colors and play with the management of the lines to create texture and repetition.


Underpainting

underpainting
An underpainting is a thin layer of paint, often used to found shadows. Brand a tonal underpainting of a sphere by using one colour of pigment, thinned with solvent. Block in areas of shadow and wipe abroad paint with a rag or paper towel to establish highlights. Let your underpainting to dry out earlier moving on to layering. Drying will probable accept a twenty-four hour period or more.


Layering

layering
When your underpainting is dry, add a second layer of pigment to create a sphere. Mix a gradation of tints and shades and apply them to the sphere to create highlights and shadows. Utilize smooth or visible brush strokes or a combination.


Palette Knife/ Sgraffito

palette knife/sgrafitto
Mix thick paint and apply information technology with a palette knife to build up texture on the painting surface. Experiment with dissimilar sizes and shapes of palette knives to see the diverseness of marks that can exist fabricated. Try using the knife to scrape abroad paint to create marks or texture. This technique is called sgraffito.


Dripping

dripping
Accept students experiment with this technique in one of their squares at the bottom of the newspaper. Hold the newspaper vertically, and create drip marks by pressing a loaded brush dipped in solvent onto the paper.


Atmospheric Perspective

atmospheric perspective

Outset, do a quick review of atmospheric perspective with your students. Remind them that objects become smaller and less saturated as they motility away from the viewer. Allow ii spaces for this technique considering it is more complex.

Mix a green base color and desaturate it with its complement and white in a gradation. Apply more intense color and thicker paint in the foreground. Gradually lower the intensity of the colour as it nears the horizon line. Mix pigment and show how the sky loses intensity most the horizon line besides. If time allows, students can add objects like trees or a house. These should be sketched in at the beginning and worked around.


If yous have a chip more fourth dimension, it's nice to take students consummate underpaintings in each square earlier you begin. Using different tones allows students to compare how the colour of the outset layer impacts the finished work. With supplies set, procedures in identify, and techniques expert, all that'southward left is to pigment!

At that place is a clear reason why oil paint has been in use by professional person painters since it's development in the early on 1400's; it is unmatched in versatility of texture, vivid color, and capability to return calorie-free and life. Including oil painting in your curriculum gives your students access to this remarkably flexible medium, as well as a deeper appreciation for the rich and diverse history of its use.

Do you use oils in your classroom? What tips or tricks assist make your students successful?

Mag manufactures and podcasts are opinions of professional education contributors and do non necessarily represent the position of the Art of Education Academy (AOEU) or its academic offerings. Contributors use terms in the way they are most oftentimes talked about in the scope of their educational experiences.

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Source: https://theartofeducation.edu/2017/05/02/oil-painting-101/

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